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Which of the two images in figure 26 do you think is better? – I bet you also vote for the right one, and I think this is because the right image appears sharper than the left one. This judgment is normal, because if we disregard the characteristics of the subject, all viewers assign the greatest importance to the impression of sharpness for the perceived image quality. But what is visual sharpness?
We can measure the brightness of a light stimulus in cd/m2 and determine its chromaticity by its wavelength structure, but sharpness is a purely perceived property of a visual scene that we cannot determine directly. It is only in the eye of the beholder. Generally, we characterize a visual impression as sharp when we clearly distinguish the objects. Thus, in contrast to tasted or smelled sharpness, visual sharpness is the impression of sharpness that we perceive at the edges and borders between objects. The impression of sharpness is greater the more of these edges we perceive and the clearer they are, i.e., the greater the contrast between their two sides.



Figure 28: Increased contrast and impression of sharpness. On the right side, where the contrast of the gray stripe is increased by the added white and black stripes, we perceive a sharper edge.
This gives us a quick way to influence the image quality: we only need to increase the contrast. That’s precisely what the major film manufacturers do, and they’ve been successful in boosting the contrast in prints by 15%. For slides, a value of 10% has proven to be sufficient. These values guarantee an appropriate increase in color saturation, a crucial factor in perceived image quality. This is because, as a rule, colors appear brighter to us in memory than they were in reality.
The resulting characteristic
All of the above factors boil down to the fact that the photographic process must first distort the contrast so that we perceive it as required or as expected. Each criterion on its own requires a greater or lesser amount of contrast enhancement. In total, the following gamma values result for the various output media:
- Color print: 1.3-1.4
- Slide: 1.8-2.0
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Main Contrast
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Since I started my first website in the year 2000, I’ve written and published ten books in the German language about photographing the amazing natural wonders of the American West, the details of our visual perception and its photography-related counterparts, and tried to shed some light on the immaterial concepts of quantum and chaos. Now all this material becomes freely accessible on this dedicated English website. I hope many of you find answers and inspiration there. My books are on